Historic Vedic Chants (Sanskrit) That Enlighten – "Pancha Suktham" (Nithyaparayana & Thirumanjanam)
Sridevi-Bhudevi Samedha Sri Devadirajan Perumal (Sriman Narayana/Maha Vishnu) Thirumaligai Seva @ Shangu Chakra Gadha Padmam – My Dwelling Thirumaligai (Sanctum) throughout Chaitra Purnima 2012. The Vedic Hymn is rendered by Sri. Hari Achyutha Rama Sastri.
My Dwelling Thirumaligai hosts Sriman Narayana together with his Consorts Sridevi-Bhudevi, Sri Mahalakshmi , Sri Yoga Narasimha, Sri Lakshmi Narasimha, Sri Dolai Kannan (Bala Krishna), Sri Aandal, Sri Ram Parivar, Sri Ramanuja , Sri Manavalamamuni & Sri Satyanarayanaswamy. All Alangarams, Each day rituals (Thenkalai Nithyanusandhanam Sampradaya) and Kainkariyams are carried out for the Lord together with all auspicious occasions. Panchaparva Seva & Thirumanjanam (Holy Tub) is carried out on Ekadesi, Amavasya, Purnima and when Revathi Star is in Ascendence.
The pictures and clips used on this Video are of my Dwelling Deities throughout Prayer Observance (Sanctum). The audio/sound recordings are used the place ever vital with none business intentions or financial profit in keeping with “Honest Use” and primarily for educating viewers into Vaishnavism, Dravida Vedam (Divyaprabandham), Works of Acharyas, Sanskrit Vedic Hymns, Shlokas, Mantras, Carnatic and Devotional music by offering visuals for higher appreciation and for listening pleasure & non secular realization. Many of the Shlokas, Mantras, Vedas and Divyaprabandhams can be found in Public Area and is recited in all Vaishnava Temples & 108 Divyadesams.
The Narayana Sukta is, in a method, the magical appendix to the Purusha Sukta of the Veda, the one distinction between the Purusha Sukta and the Narayana Sukta being the divination of the Deity addressed by them. The Sri Sukta of the Veda is recited with profit particularly on Fridays, along with formal worship of the Goddess, for peace, lots, and all-round prosperity. Lakshmi, who’s normally recognized because the Partner of Vishnu, or Narayana, represents the glory and magnificence of God. Narayana and Lakshmi, really, stand for Being and Changing into. The Creator in all His glory manifests Himself within the selection in creation.
Hindu spiritual sources are labeled as “Sruti” or “Smrithi”. Sruti — that which is heard — is of the character of divine revelation. We consider that the Vedas, hymns composed by seers and sages starting as greatest as we are able to date them in 3000 BC, had been sung beneath divine inspiration. Because of this they’re Sruti. These sages “heard” them because the voice of the Divine.
Solely two our bodies of hymns are acknowledged as divinely composed. One being the Vedas, and the opposite, the Thiruvaaymozhi of Kaari Maaran Sadagopan, or Sri Nammaazhvaar, that are acknowledged as equal to the four Vedas within the Ubhaya Vedanta college, the Sri Vaishnava custom. The six compositions of Kaliyan Neelan, or Sri Thirumangai Aazhvaar, are acknowledged because the 6 vedAngas.
Ubhaya Vedanta refers back to the twofold Vedanta, seen by means of the 2 eyes of the Sanskrit Upanishads and the Tamil 4000 Divya Prabandham. They’re of paramount and equal authority to Sri Vaishnavas. The 90th suktham of the 10th mandala of Rig Veda Samhita, is the Purusha Suktham. The Vajasaneyi Samhita of the Shukla Yajur Vedam, the Taittriya Aranyaka of the Krishna Yajur Vedam, the Sama Veda, and the Atharvana Veda, additionally comprise the Purusha Suktham with slight variations.
The Purusha Suktam is without doubt one of the Pancha Suktams of the Sri Vaishnava sampradaya or custom. The opposite 4 are the Narayana Suktam, Sri Suktam, Bhu Suktam, and the Nila Suktam. In South India, the Purusha Suktam, Vishnu Suktam, Sri Suktam, and Narayana Suktam are usually chanted collectively in paarayanam. The Sri Rudram, Purusha Suktam, Upanishads, the Gita, and the Vishnu Sahasra Naamam are additionally advisable for day by day paarayanam — chanting. For the reason that Purusha Suktam is seen in all Vedas, it’s cited because the essence of all Srutis by Veda Vyasa within the Mahabharata. Saunaka, Apastamba, and Bodhayana have additionally written regarding the usage of the Purusha Suktam.
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