Cardinal Rules of Vaishnava Dharma – Historic Tamil Hymns – Thiruppavai Pasurams 1-5 (Aandal)
Sri Aandal (Bhoomi Piratti aka Godha Nachiar) accompanied by Sri Devadhirajan (Narayana) Seva at my Residence Thirumaligai (Sanctum) throughout Dhanur Masam (Tamil Holy Month of Margazhi) Thiruvaradhanam (after Thirumanjanam). The Hymn is rendered by Sangita Kalanidhi & Vidushi Smt. R. Vedavalli.
The photographs and clips used on this Video are of my Residence Deities throughout Prayer Observance (Sanctum). The audio/sound recordings are used the place ever needed with none industrial intentions or financial profit based on “Honest Use” and primarily for educating viewers into Vaishnavism, Dravida Vedam (Divyaprabandham), Works of Acharyas, Sanskrit Vedic Hymns, Shlokas, Mantras, Carnatic and Devotional music by offering visuals for higher appreciation and for listening pleasure & non secular realization. A lot of the Shlokas, Mantras, Vedas and Divyaprabandhams can be found in Public Area and is recited in all Vaishnava Temples & 108 Divyadesams.
The Thirumaligai hosts Sriman Narayana together with his Consorts Sridevi-Bhudevi, Sri Mahalakshmi , Sri Yoga Narasimha, Sri Lakshmi Narasimha, Sri Dolai Kannan (Bala Krishna), Sri Aandal, Sri Ram Parivar, Sri Ramanuja , Sri Manavalamamuni & Sri Satyanarayanaswamy. All Alangarams, Each day rituals (Thenkalai Nithyanusandhanam Sampradaya) and Kainkariyams are carried out for the Lord together with all auspicious occasions. Panchaparva Seva & Thirumanjanam (Holy Tub) is carried out on Ekadesi, Amavasya, Purnima and when Revathi Star is in Ascendence.
Aandal (Tamil: ஆண்டாள் Äṇţāḷ, an eighth century or earlier is the one feminine Azhwar of the 12 Azhwar saints of South India, who’re recognized for his or her affiliation to Srivaishnava custom of Hinduism. She is credited with the nice Tamil works of Thirupavai and Nachiar Tirumozhi which are nonetheless recited by devotees in the course of the Winter pageant season of Margazhi. Aandal is thought for her unwavering devotion to the god Vishnu, the patron deity of the Srivaishnavas. The Srivilliputhoor Temple is devoted to her and marks her birthplace.
The Thiruppavai is a group of thirty stanzas (Paasuram) in Tamil written by Sri Aandal, in reward of the Lord Perumal, (Vishnu; Tamil). It’s a part of Divya PrabandhaM, a piece of the twelve Azhwars, and is vital in Tamil literature. Aandal’s thirty songs include the cardinal rules of Vaishnava dharma in the course of the month of Marghazhi. Vaishnavas sing these songs to carry peace, prosperity and Divine Grace. Andal assumes the guise of a cowherd in these 30 verses. The Thiruppavai additionally consists of three thaniyans (actually, ‘singletons’ or stand alone verses) composed by later authors to introduce older texts. The primary tanniyan, ‘Nila tungastana…’ in Sanskrit was composed by Parasara Pattar, and the following two tanniyans, ‘Anna vayal pudhuvai…’ and “Choodi kodutha…” had been composed by Sri Uyyakondar. Aandal seems intent upon performing a selected non secular vow to marry the Lord, thereby receive His eternal firm, and welcoming all her girl-friends to hitch her. In the direction of the top we study that she didn’t really carry out a spiritual ceremony; however is just praying to be granted the service of the Lord for eternity. She yearns for eternal happiness and repair of the Lord. Thiruppaavai is sung in lieu of Suprabhatam in the course of the month of Margazhi at Tirumala
The primary 5 stanzas present an introduction to the primary theme, its precept and objective. Based on Andal one ought to quit luxuries throughout this season. Honest prayers to the God would carry considerable rain and thus prosperity. Providing Lord Krishna contemporary flowers would expiate sins dedicated earlier and people that could be dedicated in future.
Within the subsequent ten stanzas she describes the significance of neighborhood participation. She invitations her mates to assemble flowers. She essays the atmosphere at her village, the chirping of birds, colourful blossoms, the musical sound of butter-churning, herds of cattle with tinkling bells, the sounding of the conch from the temple.
She visits every family and awakens all her mates to hitch her for a shower in a close-by pond. She additionally praises the incarnations of the Lord. The following 5 stanzas describe her go to to the temple accompanied by her mates. She needs to render Suprabhata gently to get up the Lord. The group appeases the temple guards, enters the temple and recites prayers extolling the dad and mom of Lord Krishna and begging them to get up Krishna and Balarama. Then they strategy Neela Devi, the consort of the Lord, to have a darshan.
The final 9 stanzas are on the glories of the Lord. On receiving his blessings Andal lists her calls for; milk for the vrata, white conch, lamps, flowers, and wealthy costume and jewelry, loads of ghee and butter. The concluding stanza is an envoie figuring out her because the daughter of Vishnucittar who made this garland of 30 pasurams and says those that recite with devotion could have Lord’s blessings.
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