Categories: Entertainment

‘White Noise’ Producer Buys Rights to Don DeLillo’s ‘Americana’

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Don DeLillo’s debut novel, “Americana,” is ready to be tailored 51 years after it was first printed.

“White Noise” producer Uri Singer (“Tesla,” “The King of Oil”) has purchased the rights to the 1971 novel, persevering with his streak of adapting a string of DeLillo works which were deemed “unadaptable.”

“Americana” tells the story of David Bell, an out-of-touch tv govt who units off on a highway journey together with his feminine colleague, Sullivan, to make an avant-garde movie. The e-book explores the intricacies of company tradition and examines how we create realities, whether or not they’re true or not.

Singer tells Selection: “If you learn ‘Americana,’ you perceive how Don developed into the literary icon he’s immediately. It’s the story of an ‘American Psycho’-type of protagonist, minus the homicide, within the poisonous and cut-throat world of tv, with all of the extraordinary minor characters that mark a DeLillo work. The place ‘American Psycho’ simply reveals the protagonist as he’s, ‘Americana’ reveals the questioning of why he’s the way in which he’s.”

Singer’s group at Passage Footage is creating what he guarantees to be a “distinctive take” on the novel, which the veteran producer describes as “‘American Psycho’ meets ‘Marriage Story.’” The movie is believed to make use of a swap in perspective to keep up the story’s relevance with out sacrificing the essence of DeLillo’s prose.

“Americana” is the most recent DeLillo adaptation for Singer, who’s in Venice with Noah Baumbach’s adaptation of “White Noise” for Netflix, which is opening the pageant. One other adaptation, this time of DeLillo’s “Underworld,” can also be within the works on the streaming large.

The Israel-born Singer, for whom English was not his first language, is a long-time fan of DeLillo’s work and says he has “repeatedly [returned] to his works regardless of the problem of comprehending them.”

“Don’s unbelievable writing stayed with me and after I began producing, I noticed that by attaching the appropriate expertise we might make these tales extra approachable whereas conserving the integrity of characters and storylines Don created alive,” stated Singer.

Reflecting on “White Noise,” the producer stated the movie was first arrange at HBO, and was then hooked up to James Brooks (“The Simpsons”), Barry Sonnenfeld (“Males in Black”) and Barry Josephson at Disney. Scott Rudin later optioned the e-book for Sonnenfield, with a script from Stephen Schiff.

Singer optioned the rights to “White Noise” in 2016, nevertheless it took years to arrange “due to the problem in adapting Don’s phrases.”

The producer finally took the e-book to A24, which helped to connect Baumbach, “a DeLillo fan and the auteur of this nice adaptation that’s opening Venice and the New York Movie Competition,” stated Singer. The mission was then offered to Netflix.

Within the fall of 2021, Netflix additionally picked up “Underworld,” with Ted Melfi (“Hidden Figures”) set to direct. The e-book loosely facilities on a waste administration govt who endeavors to hint the historical past of a baseball that made historical past for the New York Giants in 1951.

“After optioning and creating ‘White Noise,’ I instantly knew I wished to provide extra of DeLillo’s work,” explains Singer. “Round that point, my mom handed, and I used my inheritance to possibility the rights to ‘Underworld.’ My mom used to learn books to blind mates and particularly liked studying DeLillo so I knew bringing extra of his work to the display would make her proud.”

“Underworld” is taken into account by many to be DeLillo’s opus however, at greater than 800 pages and with a sprawling narrative construction, tough to adapt. Singer teamed with good friend and director Melfi, whom he considers “the one one who might deliver this huge murals to the display in a manner that will enable extra folks to know and luxuriate in it whereas nonetheless honoring the essence of DeLillo’s writing.”

Elsewhere, Singer has additionally optioned DeLillo novella “The Silence,” which he payments as a “contained story” that can be written by British screenwriter and playwright Jez Butterworth (“The Ferryman,” “Brittannia”).

Wanting forward, the producer plans to proceed mining “compelling narratives and fascinating characters,” whereas constructing out his books-to-screen platform Taleflick, a portal for worldwide authors and writers to submit tales, books and scripts.

“It doesn’t matter to us whether or not folks deem it ‘unadaptable,’ our motto is that if no person can do it, we are able to,” says Singer. “Our solely trick to doing that’s to seek out good IP we imagine in and encompass ourselves with good individuals who imagine in it like we do,” stated Singer.

Singer is repped by Carissa Knol at Knol Regulation PC. DeLillo is repped by Amy Schiffman at Echo Lake and Robin Straus.

(Pictured: Don DeLillo)



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